The colours, like that coat, only serve to show Kyra in even paler relief, her invisibility coming to offer a welcoming cloak as she hatches a plan to avoid destitution.

~ Amber Wilkinson -

The colours, like that coat, only serve to show Kyra in even paler relief, her invisibility coming to offer a welcoming cloak as she hatches a plan to avoid destitution.

~ Amber Wilkinson -

A dreary, cynical exercise in the marketing of cuddly toys.

~ Sobhano -

A dreary, cynical exercise in the marketing of cuddly toys.

~ Sobhano -

The concept is good, but there are so many holes below the plotline, it sinks.

~ Angus Wolfe Murray -

The concept is good, but there are so many holes below the plotline, it sinks.

~ Angus Wolfe Murray -

A thoroughly feel-good movie.

~ Gabriella Trybalska -

A thoroughly feel-good movie.

~ Gabriella Trybalska -

The film is like a Chinese meal. You enjoy it at the time, but feel empty half an hour later.

~ Angus Wolfe Murray -

The film is like a Chinese meal. You enjoy it at the time, but feel empty half an hour later.

~ Angus Wolfe Murray -

Through heartfelt and very conventional storytelling Nair simplifies, pleads, and misses the chances to shift the very current problematics into a new light.

~ Anne-Katrin Titze -

Through heartfelt and very conventional storytelling Nair simplifies, pleads, and misses the chances to shift the very current problematics into a new light.

~ Anne-Katrin Titze -

A hauntingly beautiful piece of cinema.

~ Anton Bitel -

The film is about death, whether in the arena, or out

~ Angus Wolfe Murray -

The film is about death, whether in the arena, or out

~ Angus Wolfe Murray -

Schumacher uses split screens and visual wizardry to retain a breakneck pace.

~ Angus Wolfe Murray -

Schumacher uses split screens and visual wizardry to retain a breakneck pace.

~ Angus Wolfe Murray -

The best gags, at least for the over 20s, subvert 50s sci-fi movie convention.

~ Tony Sullivan -

The best gags, at least for the over 20s, subvert 50s sci-fi movie convention.

~ Tony Sullivan -

Lars von Trier's sublime invitation to the end of the world is a grand film by a master story teller who does not repeat himself.

~ Anne-Katrin Titze -

Lars von Trier's sublime invitation to the end of the world is a grand film by a master story teller who does not repeat himself.

~ Anne-Katrin Titze -

Mirrors doesn't feel like an unfixed horror for an uncertain world, it comes across more as a broth for the appetites of focus groups.

~ Andrew Robertson -

Mirrors doesn't feel like an unfixed horror for an uncertain world, it comes across more as a broth for the appetites of focus groups.

~ Andrew Robertson -

Most of those who fell for this film when it came out still love it today. There's just one problem: it really isn't very good.

~ Jennie Kermode -

Most of those who fell for this film when it came out still love it today. There's just one problem: it really isn't very good.

~ Jennie Kermode -

The charm levels are high

~ Angus Wolfe Murray -

The charm levels are high

~ Angus Wolfe Murray -

The film is enjoyable enough, but unfortunately Kiefer Sutherland is not Alan Ladd.

~ Robert Munro -

The film is enjoyable enough, but unfortunately Kiefer Sutherland is not Alan Ladd.

~ Robert Munro -

A stylish and engrossing mystery - an immature, yet energetic explosion of storytelling ideas.

~ Scott Macdonald -

A stylish and engrossing mystery - an immature, yet energetic explosion of storytelling ideas.

~ Scott Macdonald -

What [director Proyas] does here is juggle genres and lop the dead cells from the brains of old cliches.

~ Angus Wolfe Murray -

What [director Proyas] does here is juggle genres and lop the dead cells from the brains of old cliches.

~ Angus Wolfe Murray -

Gushes tension and excitement from every pore.

~ Keith Dudhnath -

Gushes tension and excitement from every pore.

~ Keith Dudhnath -